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Snow Crash (Bantam Spectra Book) | 
 enlarge | Author: Neal Stephenson
Publisher: Spectra
Category: Book
List Price: $15.00
Buy Used: $5.49
You Save: $9.51 (63%)
New (55) Used (59) Collectible (7) from $5.49
Avg. Customer Rating:  548 reviews
Sales Rank: 2731
Media: Paperback
Number Of Items: 1
Pages: 480
Shipping Weight (lbs): 0.7
Dimensions (in): 8.1 x 5.2 x 0.8
ISBN: 0553380958
Dewey Decimal Number: 813.54
EAN: 9780553380958
ASIN: 0553380958
Publication Date: May 2, 2000
Availability: Usually ships in 1-2 business days
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Amazon.com Review
From the opening line of his breakthrough cyberpunk novel Snow Crash, Neal Stephenson plunges the reader into a not-too-distant future. It is a world where the Mafia controls pizza delivery, the United States exists as a patchwork of corporate-franchise city-states, and the Internet--incarnate as the Metaverse--looks something like last year's hype would lead you to believe it should. Enter Hiro Protagonist--hacker, samurai swordsman, and pizza-delivery driver. When his best friend fries his brain on a new designer drug called Snow Crash and his beautiful, brainy ex-girlfriend asks for his help, what's a guy with a name like that to do? He rushes to the rescue. A breakneck-paced 21st-century novel, Snow Crash interweaves everything from Sumerian myth to visions of a postmodern civilization on the brink of collapse. Faster than the speed of television and a whole lot more fun, Snow Crash is the portrayal of a future that is bizarre enough to be plausible.
Product Description
Only once in a great while does a writer come along who defies comparison--a writer so original he redefines the way we look at the world. Neal Stephenson is such a writer and Snow Crash is such a novel, weaving virtual reality, Sumerian myth, and just about everything in between with a cool, hip cybersensibility to bring us the gigathriller of the information age.
In reality, Hiro Protagonist delivers pizza for Uncle Enzo's CosaNostra Pizza Inc., but in the Metaverse he's a warrior prince. Plunging headlong into the enigma of a new computer virus that's striking down hackers everywhere, he races along the neon-lit streets on a search-and-destroy mission for the shadowy virtual villain threatening to bring about Infocalypse. Snow Crash is a mind-altering romp through a future America so bizarre, so outrageous...you'll recognize it immediately.
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| Customer Reviews: Read 543 more reviews...
 Boring, Confusing and without a Meaningful Plot January 3, 2009
0 out of 1 found this review helpful
I am on ebook page 293 of 1029 and I am completely bored by this book. In comparision Dune Book 2 is only about 387 pages and it was a lot of fun by the time I was on page 300.
Sentenses are complicated. There are too many made up words that in the end don't mean much. Mix those together and you get a difficult to follow book. Other reviewers described this issue better than I did here.
Main plot drags nowhere and I even cannot see main plot. I have now given up on the book and think it was a waste of money.
I tried this book because I like "The Diamond Age: Or, a Young Lady's Illustrated Primer" by Neal Stephenson. The Diamond Age is a brilliant work and beats Snow Crash without any doubt.
Mediocre December 9, 2008
3 out of 4 found this review helpful
In Snow Crash, Stephenson is very playful with his language, and is often witty. Then again, he is often hackneyed and silly. The plot is very exciting from the beginning, but halfway begins to degenerate into unnecessary history recitals that last five to ten pages at a time, repeatedly. Ignoring these virtually unreadable portions, the story continues to entertain throughout, right up until the end. The conclusion is relatively sudden, extremely predictable, and does nothing to reward the reader for trusting Stephenson enough to plow through the pages of Library research.
Prospective readers should be aware that toward the end of the novel, Stephenson describes in graphic detail a consensual sexual encounter between a fifteen year old girl and a forty-something year old man. The plot does not benefit from this encounter, but Stephenson's constant focus on the child's rear end every time she stood up made it almost inevitable. I found it to be distasteful.
I would not recommend the book - it was enjoyable in parts, but there are many authors who research a novel, then craft a plot with skill from beginning to end, instead of attempting to cram in every bit of research into the novel.
 An amazing read November 29, 2008
0 out of 1 found this review helpful
This is a fantastic book, with Stephenson's usual thought provoking teaching mixed in.
Highly recommended to everyone.
Cyberpunk as Cultural Satire/Commentary November 22, 2008
1 out of 4 found this review helpful
Snow Crash is a subversive, postmodern romp through a world defined by computers, religious fanaticism, commercialism, and near-anarchy. Hacker Hiro Protagonist delivers pizzas for a living for the now-respectable Mafia until a mishap unites him with a fifteen-year old, futuristic skateboarder named Y.T. Hiro falls back on what he knows best -- hacking and gathering intelligence that he can sell to the former C.I.A., now a private corporation -- with Y.T. as his eyes. When his friend and former business partner Da5id opens a mysterious hypercard/drug called Snow Crash and becomes instantly catatonic, Hiro realizes the danger: all hackers, this new world's most valuable resource, are vulnerable. He sets out to stop the malicious forces that threaten to reduce the population to a babbling, unthinking mass. As Hiro and Y.T. make their way toward the deadly Raven, an Aleut armed with glass knives and a nuclear bomb, and L. Bob Rife, a New Age cult leader (a send-up of L. Ron Hubbard) at the center of a flotilla of rafts and refugees afloat in the Pacific, they uncover the "truth" about viruses, language, computers, mythology, and the core of the human brain.
The most amazing aspect of this novel is Stephenson's ability to imagine in 1992 (really, before that, since that's the year it was published) what today's world has become; the cultural satire and commentary in Snow Crash has become more relevant today with the internet/World Wide Web, privatization, dependence on computers, policy-shaping religious leaders, Second Life, and a global economy. Although Stephenson's parallels between computers and the human brain are not new, what he suggests, that our DNA contains an informational/language virus based in our Sumerian roots, is both weirdly original and thought-provoking. His revision of mythology and religion (here, both language and religion are viruses) is rooted in research and then takes off in improbable but intriguing directions. Like Ishmael Reed's Mumbo Jumbo, this novel connects religion from multiple cultures, from ancient times to the present, to form the heart of a conspiracy.
Except for the sections detailing Sumerian mythology and history, this novel moves forward at a brisk pace, with both humor and suspense. For another cyberpunk novel, the first, see William Gibson's Neuromancer.
Half-baked concepts and absolutely dreadful writing. November 13, 2008
3 out of 5 found this review helpful
Something good:
This book, written before the Internet was little more than a government and university project with a few commercial interests throw in, presents an almost precognitive look at a world interconnected via the computer. Some of the technology described, even if slightly off-base, rightly predicts what we are using and developing today.
Something bad:
I won't delve too much on the absurdities described with a supposedly ancient "hacker" algorithm being made to free mens' minds from the entrapment of a hypothetical space "virus". Nor will I go into the rancid historical references used to back up this laughable proposition (there are more intelligent people than me who have detailed this in reviews here already.) But to suppose that by 2012 (this is a guess based on evidence in the story since the date isn't listed anywhere I could see) that the entire US government would be minimalized to the point of vestigial worthlessness because of over privatization, and that society would be fractured into competing commercial "franchises", run by agencies such as the Mafia none-the-less, is just silly. Sure there's room for satire (I'm pretty sure Stephenson was not a fan of the Reagan era), but an author has to at least give a more realistic time line to work with. This is supposed to be a natural deterioration here, not even post-war, yet, somehow, all democratic society withered away in 20 years.
Something awful:
Contrived plots and silly ideas are one thing. Writing them down in such a poor and inconsistent manner is inexcusable. There are times when the characters will completely shift their narrative and their personality. Just going from the first chapter to the next couple presented such a fundamental change that I have to believe that the first was written years apart from the rest of the book.
Later in the book Stephenson can't seem to find a better way to express his largely contrived ideas than to expound upon them in a fashion that I can only relate to a Socratic dialogue (in tone if not in substance.) First there's the main character, Hiro, talking back and forth with an AI librarian for chapters at a time trying to formulate this Sumerian plot point, then later we get the same type of performance except now we have the heads of a few of these world controlling franchises playing the parts of the librarian. Stephenson couldn't think a better way to get his ideas across than to create lengthy (and quite boring) dialogues?
To conclude, I'm not sure why this book is so beloved. The writing is immature, and the ideas supporting the plot are untenable. If it wasn't for his view of an interconnected virtual world this book would be worthless.
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